Top Ten Favorite Horror Films 2017

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As usual, I didn’t get to see all the films released in 2017 that I wanted to that would be considered for this list. But, I did my best.

So, here it goes. A little less lazy this year since there’s more than just picture.

 
The Girl With All the Gifts

There are periods in my life where it seems I get sick of zombie films. The first one was in my high school days in the early 1980’s when it seemed like there was a glut of unrated Italian walking dead films making it to theaters near me. The fact is that I only real got into Lucio Fulci films of this type. I think I’m in the second sick-of-zombies period. But I’m always open to be proven wrong. That’s where The Girl With All the Gift comes in.

This turned out to be the rare zombie film that seems to actually add to this subgenre. The horror is there, but the base is very much science fiction. The virus infection is played as a new step in an evolutionary process.

It’s hard to say why this film won me over above my number 2 choice. But it did. I think it had something to do with the story and the film-making that helped tell it. I was sucked into it unlike any other film on this list.

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Get Out

This is one of the most intelligent social satire horror stories I’ve even seen. Paranoia rarely is so effectively realized in a film. Jordan Peele has his work cut out for him on anything he has in store for us in the future. I wish him well.

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Gerald’s Game

One of my favorite Stephen King novels was turned into an excellent Netflix original film by Mike Flanagan, the best in the new breed of horror filmmakers. That’s all I need to say.

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The Void

This was a great mix of Lovecraft, Barker, Fulci, Carpenter, and I’m sure a nice handful of other influences. And, thank you very much for proving that practical effects still make a huge impact on an audience.

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The Devil’s Candy

What’s at the core of this film is a realistic and likable family unit in peril. And this peril runs deeper than the mentally disturbed man that shows up at their door one day.

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Raw

If you know me well enough, then you know there has to been at least one quirky film on any of my lists. This is the first of two. And of course the story of a veterinary student who prefers a meatless diet, like the rest of her family, starting to believe she has a proclivity for consuming human flesh sure does qualify as quirky.

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The Blackcoat’s Daughter

This is the second quirky one as presented to us by Anthony Perkins’ son Oz. I’m not a big fan of the term “slow-burn”, but this is actually the best example of that style of storytelling. Two female students are stuck on campus waiting for their respective parents to pick them up for winter break while another young lady seems to be headed the same campus for reasons unknown. There’s a building of tension until some disturbing stuff happens.

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1922

This is another great adaptation of a King story, a novella this time. A haunting fueled by extreme guilt. The story plays much like a tale straight out of EC comics, but Stephen King style.

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It

Well, looky here! Another King adaptation does well for itself. If this keeps up, this young man may have a career to write home about.

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A Cure For Wellness

Despite, maybe, being a touch too long, it was sure good to see something this twisted being made with this much love. We really do need more mad scientist films, don’t you think?

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Honorable Mentions: XX, The House on Willow Street, It Comes at Night, Split

–Charles T. Cochran

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2016 My Year in Review: Top Horror Film Favorites and Other Stuff

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Both 2015 and, this year, 2016, was a strain on me as a member of the Fright Meter Awards. Part of it has something to do with my age. As of this writing, I am 51 years of age. I’m not really sure if I was the oldest member, but I have good reason to believe that I was. I believe this did lead to the final straw that made the decision to leave easier, especially, since I had planned on leaving at the end of this year. But, more on that later.

I believe the main reason for me leaving, really, is that I felt it was a chore in watching so many horror films in the year. I wasn’t watching them for pleasure anymore. It was feeling like a job, one that I wasn’t being paid for. It took me a couple months after leaving to shake that feeling and get back to seeing horror films again. I did watch a few during that period, but not many.

I think the age thing is part of what happened, as well, that led to the early departure. It’s the way I perceive the genre, I guess. In part, it’s the fact that I was a horror fan for nearly ten years before the 1980s even existed. Don’t get me wrong, there’s a lot of great and, now, classic horror films from that decade, especially the first half of it; I just don’t have the view that it’s as great a time for horror as many people, my age and younger, do. That may be the time that many became a horror fan, due to the films being released at the time as well as the volume of releases. There’s far too many people that seem to stop at the 80s when it comes to having a favorite horror film on their list. My favorites can go back to the silent era. One of my top favorites is 1941’s The Wolf Man. Many of the people I’m referring to here won’t go back very far with their favorites. Night of the Living Dead might pop up. But, that may only be because zombies are hip nowadays. I simply can’t relate to that point of view and I often feel alienated by it.

Feeling alienated and the reaction to my suggestion of Barbara Steele for the group’s lifetime achievement award. One of our group had suggested that, upon his death, Christopher Lee was the last of the “classic” horror actors. I disagreed with that. Steele had been a contemporary of Lee, Cushing, and even starring alongside Vincent Price in Roger Corman’s The Pit and the Pendulum. She starred in one of the best Italian horror films of the 1960s, Black Sunday. It seemed like a no-brainer to me. In my view, there was a disrespect for classics in evidence. But, there was no question that there was clearly a misogynistic attitude from at least one other member of the group. This person felt it was being “too politically correct” to choose a woman for the honor. That was it for me.

Truth be told, I didn’t mean to make the above statement as long as I did. But, there it is. On to other things.

Besides leaving The Fright Meter Awards, this year saw me becoming a regular reviewer at Horrornews.net. So if you’re interested check me out there as well.

The Fright Meter Awards would have their best of horror within the last month of the previous year on until November of the current year as the points of eligibility. Since I no longer have that restriction, I have also considered films released 12/2016. There’s also an issue that I have not been able to see many films that others have deemed worthy for their respective lists. But, I did try very hard to do as best as I could.

So, now onto my Favorite Horror Film of 2016 List:

1.The Witch

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2. The Eyes of My Mother

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3. Emelie

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4. Green Room

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5.The Autopsy of Jane Doe

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6. Don’t Breathe

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7. Lights Out

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8. The Wailing

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9. I Am Not A Serial Killer

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10. I Am the Pretty Thing That Lives in the House 

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I would also like to toss in two of my favorite non-horror fantastic films within the post. The first is my favorite film of the year, Kubo and the Two Strings.

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And my favorite superhero film is Doctor Strange, even though Deadpool came pretty close to winning that honor.

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Well, folks, that’s it! Sorry about that rant above. It seems that I really needed to say it.–Charles T. Cochran

2014 Best Horror Films

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These are what I feel are the best in horror cinema released this year, 2014. Like last year I’m being lazy and only presenting this list in pictures.

10. Dead Snow 2: Red Vs. Dead

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9. The Town that Dreaded Sundown

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8. Exists

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7. The Hunted

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6. Found

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5. The Den

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4. The Taking of Deborah Logan

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3. Oculus

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2. Cheap Thrills

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1. The Babadook

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Honorable Mention (in order):Mockingbird, The Seasoning House, The Dead 2: India, Mr. Jones, In fear, The Returned, Deliver Us From Evil, Dracula Untold, Jinn, Late Phases

–Charles T. Cochran